If you're someone who enjoys the immersive experience of light and sound tricks, 'Lights Out' is right up your alley. If you're someone who relishes the grotesque indulgences of the splatter horror and terror sub-genres, you're likely going to feel left in the dark with 'Lights Out.' While there are some good gore effects on display, they're brief and not the focus of the film. Like comedy, horror is a subjective experience and depends entirely on the personal tastes of the viewer. Sandberg's 'Lights Out' the greatest horror flick to come out in the last decade - but it is pretty darn good! I'm not quite sure how well it'll hold up to multiple viewings over the years, but for what it is, it does everything right. I'll be upfront and say that in no way is David F. If they hope to survive and save their mother's life, they'll have to bring these secrets and Diana into the light. As the siblings try to help their mother get over her troubles, they learn a dark and sinister secret about Diana. For years Rebecca thought the tall, lanky, black figure with glowing eyes was a figment of her imagination, but when her little brother Martin (Gabriel Bateman) starts seeing Diana and experiencing her terrors firsthand, Rebecca is forced to return home and face her mother. Where most childhood fears are irrational and made up, this one was very real and her name is Diana (Alicia Vela-Bailey). Rebecca (Teresa Palmer) learned this truth first hand growing up with her mentally troubled mother Sophie (Maria Bello). From a script by Eric Heisserer and starring Teresa Palmer and Maria Bello, a simple concept becomes a creepy and well-paced scare fest that allows the audience to enjoy being frightened.Ĭreepy things do go bump in the night. Sandberg's 'Lights Out' proves the point that a little creativity can go a long distance towards scaring an audience. While it may not be the best horror film of the decade, Director David F. Whether it be because the budget is small or its concept is relatively slim, it's important not to go overboard with it. The explanation of the haunting leaves a lot to be desired, but there are plenty of stories you could tell about being frightened when the lights go out.īased on a short film Billy Burke David F.A good horror picture is one that knows its limitations. While I don’t expect it to do very well at the box office, I wouldn’t be surprised if Lights Out starts a direct-to-video franchise. Lights Out is fun, but it isn’t scary, despite exploiting the primal fear of the dark we all share. Despite her convincing work in Lights Out, she has yet to find her breakout role. I’ve been rooting for Teresa Palmer’s career since seeing her in Take Me Home Tonight and The Sorcerer’s Apprentice. I won’t say more about these revelations, except to note that there are two different roads they could have travelled with the reveal, and it feels like they changed their minds at the last moment. Through Sophie we learn about a dark history involving a young girl named Diana, who was only comfortable in the dark. Maria Bello is wonderful as this mentally ill mother, conveying how helpless she is in her situation even as you’re frustrated and at times horrified with how she treats her kids. She has a history of mental illness, and her first husband split years ago. Becca takes Martin back to their mother’s house and discovers dear old mom is once again off her medication.īecca and Martin’s mother Sophie (Maria Bello) is having a hard time dealing with the death of her second husband Paul (from the mannequin warehouse!). Bret is pretty clingy (he wants to leave his toothbrush at her place) but Becca keeps him at a distance, as she does everyone.īecca gets a call to pick up her younger brother Martin (Gabriel Bateman) from school, because they can’t reach their mother and it’s the third time he’s fallen asleep in class this week. We then meet Becca (Teresa Palmer), an emo kid who lives above a tattoo parlor and is dating Bret (Alexander DiPersia).
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